100+ Female Demon Names: A Comprehensive Guide to Mythical Entities

Peer into the shadowy corners of myth and legend where female demons reign with tantalizing power and mystique.

From the haunting tales of the Middle East to the chilling lore of ancient Europe and beyond, these enigmatic figures captivate and terrify.

No matter if they’re wreaking havoc, imparting forbidden knowledge, or embodying divine retribution, each demoness carries a story that blurs the lines between malevolence and myth.

Abyzou

Abyzou, originating in Akkadian folklore, became known across the Middle East and Europe. Though her name is speculated to be linked to the Mesopotamian deities Apsu and Tiamat, concrete evidence is lacking. She was called Alabasandria in Egypt and Gylou in Babylonia. The first-century apocryphal Judeo-Christian text, Testament of Solomon, referred to her as Obizuth.

Abyzou suffered from infertility, which fueled her jealousy toward mortal women. This envy transformed her into a demon that caused miscarriages and targeted infants, often strangling them. According to the Testament of Solomon, King Solomon punished her by hanging her with her own hair in front of the Temple in Jerusalem, in retribution for her malevolent actions.

Agrat bat Mahlat

Agrat bat Mahlat, a demon from Jewish mythology, is known as the “daughter of Mahlat” in Hebrew. Various sources depict her origins differently, with the Kabbalah portraying her as a fallen angel and one of the companions of the archangel Samael. The Kabbalah associates her with the practice of sacred prostitution, condemning her alignment with the Mesopotamian goddess Ishtar.

Interestingly, Agrat bat Mahlat is linked to King David of Israel. According to legend, King David spent a night with her, consequently fathering the demon Asmodeus. In rabbinic literature, Agrat bat Mahlat is described as one of Lilith’s daughters. She is depicted as a demon roaming the skies in a chariot, accompanied by 18 other demons.

Moreover, rabbinic texts mention Agrat bat Mahlat as one of the many demons who imparted forbidden magical knowledge to humanity. Her multifaceted portrayal serves as a warning against engaging in condemned practices, blending myth and morality.

Ajatar

Ajatar, also known by names such as Ajattara, Aiatar, and Aijotar, is a demon from Finnish mythology. The stories place her in the dense forests of the Pohjola mountains. While Pohjola was initially thought to be fictional, some modern scholars associate it with Scandinavia.

She is said to be the granddaughter of Hiisi, a powerful forest giant who could bring diseases. Ajatar inherits these abilities and has command over gnomes and the pagan deity of love and fertility, Lempo. Her appearance varies across sources. Older descriptions portray her as a wild woman with hair long enough to cover her breasts. Newer descriptions often depict her as a dragon or with a half-human, half-snake form, highlighting her demonic nature.

Alecto

Alecto is one of the Furies in Greek mythology, known for delivering divine retribution. Her name signifies “relentless and unending anger.” Emerging from the Earth after Cronus spilled Uranus’ blood, Alecto embodies perpetual vengeance.

In Roman mythology, particularly the Aeneid, she is assigned a crucial role by Juno. Commanded to incite conflict, Alecto focuses on the Latins and the Trojans. Prince Turnus becomes her primary target, driven by her influence to destroy the Trojans. Despite her initial success, Alecto seeks further turmoil but is restrained by Juno, who fears Jupiter’s intervention. This fascinating character showcases her influence and unyielding nature through numerous mythological narratives, offering a deep glimpse into her fearsome presence.

Alecto’s mythology highlights her as a complex figure, bridging Greek and Roman tales with seamless continuity.

Ammit

Ammit, a unique figure from Ancient Egyptian lore, combines traits of a lion, crocodile, and hippopotamus. Unlike typical demons, Ammit is not inherently evil. Instead, she serves a crucial function in the divine order. Ancient Egyptians feared and respected her as a symbol of divine justice.

Her role involves participating in the judgment of souls. The process begins with Anubis, the god of mummification and the afterlife, weighing a deceased person’s heart against the Feather of Truth. If the heart is lighter or equal in weight to the feather, the soul is permitted to enter the afterlife. However, should the heart weigh heavier, Anubis feeds the soul to Ammit.

Although essential to the concept of divine justice, Ammit is still considered a demon. As a result, the Ancient Egyptians never offered her worship, despite their reverence for her role.

Astaroth

Astaroth’s gender has been debated among demonologists. Sources vary, with some linking Astaroth to the Mesopotamian goddess Ishtar, also known as Ashtoreth or Ashtaroth in the Old Testament. This name was later transliterated to Astaroth in both Greek and Latin.

In the 15th century, European occult fascination led to Astaroth’s identification as male. According to The Lesser Key of Solomon, Astaroth held the noble title of a duke. Occultists attributed Astaroth with traits such as laziness, self-doubt, and rationality. Astaroth also became connected with mathematics, possibly due to the religious opposition to the increasing influence of science during that period. Learn more about Astaroth on the Gods and Monsters page.

Baba Yaga

Baba Yaga features prominently in the folklore of various Slavic cultures in Eastern Europe. Although sometimes depicted as a single entity, other narratives present her as one of a trio sharing the same name. Consistently, she appears as an old woman with a terrifying visage, flying at night using a mortar while holding a pestle.

Often used as an East European boogeyman to frighten misbehaving children, Baba Yaga’s character remains ambiguous. In her darker portrayals, she grants wishes with negative consequences. Conversely, she is also known to offer genuine assistance to those in dire situations, especially those lost in forests or other remote areas. This duality makes her a unique and complex figure in Slavic folklore.

Cheshmak

Cheshmak, also known as Cesmak, is a fascinating figure within Zoroastrian mythology. She is depicted with a body of gold, large breasts, and is closely associated with destructive forces such as whirlwinds and bad weather.

Her story involves an encounter with the prophet Zoroaster upon his return from Heaven, where he met Ormuzd, the Zoroastrian god. Cheshmak attempted to lure Zoroaster with earthly temptations, but he saw through her intentions and rejected her. Infuriated, she tried to assault him, yet Zoroaster successfully repelled and banished her.

Despite her intriguing attributes, Cheshmak remains relatively unknown in Zoroastrian teachings. Her limited exposure stems from her mention in the Pahlavi texts of the 9th century AD. This relatively late introduction makes her less prominent compared to characters from the Avesta, the traditional Zoroastrian scriptures dating as far back as the 3rd to 7th century AD.

Daruka

Daruka, a notable figure in Hindu mythology, experiences a fascinating transformation from demon to deity. Initially, she is known as the spouse of the demon Daruk. Despite her origins, Daruka shows devotion to Parvati even while living as a demon. Her husband’s antagonism towards Shiva’s followers provokes the divine wrath, targeting their city, Darukavana.

In a critical moment, Daruka’s appeal to Parvati enables her to relocate Darukavana beneath the sea, escaping the gods’ retribution. This temporary refuge does not stop Daruk’s aggressions, as he captures a devout follower of Shiva named Supriya. Supriya’s imprisonment sparks a significant shift, with him converting many demons to the worship of Shiva and igniting a revolution within the city.

Shiva’s appearance in Darukavana culminates in Daruk’s defeat. Parvati’s intervention spares repentant demons from Shiva’s wrath, redirecting them towards righteousness. Consequently, these demons are elevated to minor deities, serving both Shiva and Parvati, integrating them into the divine realm.

Echidna

In Greek mythology, Echidna was a formidable creature with the upper body of a woman and the lower body of a serpent. Known as the “Mother of Monsters,” she and her mate, Typhon, bore many notorious beasts. Among her offspring were Cerberus, the three-headed guard dog of the underworld, and the Chimera, a fire-breathing creature with the parts of a lion, goat, and serpent.

Her progeny also included the multi-headed Hydra, the invulnerable Nemean lion, and the enigmatic Sphinx. These creatures posed immense challenges to the heroes of Greek legends, such as Heracles, who confronted many of them.

Echidna’s life came to an end when the hundred-eyed giant Argus, acting on Hera’s orders, killed her in her sleep. Some scholars speculate that Echidna’s myth may have origins beyond Greece. They draw parallels to Tiamat, the Mesopotamian ocean goddess who also parented an array of fearsome entities in her battle against disobedient offspring. This reflects broader influences from Mesopotamian myths on Greek mythology, including those surrounding figures like Heracles and King Gilgamesh of Uruk.

Eisheth

Eisheth, a figure in Jewish mythology, is known as the “Woman of Whoredom.” Her presence is also noted in Kabbalah, a mystical tradition developed in medieval Europe. Eisheth holds the title of princess in the demonic realm of Gamaliel and represents the feminine embodiment of sin. She is believed to consume the souls of the damned in Hell. Eisheth stands in opposition to the angelic choir of Yesod, governed by Archangel Michael. There is ongoing debate among demonologists regarding whether Eisheth or Lilith rules over Gamaliel, reflecting the complexity and variation in mythological sources.

Empusa

Empusa, also referred to as Empousa, is a demon figure in Greek mythology who serves the goddess of witchcraft, Hecate. Known for her shapeshifting abilities, Empusa’s true form is identifiable by a unique feature—a single leg made of copper. Her mythological appearances include various texts and dramas, showcasing her deceptive and dangerous nature.

In Aristophanes’ The Frogs, Empusa encounters the god Dionysus and his slave Xanthus. The narrative treats her appearance ambiguously, leading some to interpret it as Xanthus playing a prank on Dionysus. Empusa’s presence in this comedy adds a layer of both menace and humor to the story.

Empusa also features in Life of Apollonius of Tyana, written in the 1st century AD. In this biographical work, she seduces a student of the philosopher Apollonius before revealing her true nature and devouring him. Later, during Apollonius’ travels in India, he and his companions confront Empusa, collectively cursing her until she flees.

Below is a quick reference table summarizing key aspects of Empusa:

Empusa’s myth serves as a potent reminder of the dangers of deception and the power of collective action against malevolent forces.

Gremory

Gremory’s precise origins are shrouded in mystery, yet she is frequently mentioned in medieval grimoires. Notably, The Lesser Key of Solomon portrays her as a duchess commanding 26 legions of Hell. Other sources vary, with the Munich Manual of Demonic Magic crediting her with 27 legions, and the Liber Officiorium Spirituum attributing between five to 42 legions to her.

Grimoires also detail her appearance and abilities. Gremory is typically depicted as a beautiful woman riding a camel and adorned with a duchess’ crown. She possesses the power to unveil hidden truths, particularly those related to wealth and fortune. Additionally, she is known for her ability to make women fall in love with those who seek her help.

Hannya

The term “Hannya” encompasses a category of entities rather than a single being. These figures, integral to traditional Japanese noh theater, display a complexity uncommon among demonic characters. Unlike typical demons known for their outright malevolence, Hannya can also manifest emotions such as grief and regret.

Hannya are divided into three sub-types: namanari, chunari, and honnari. The first two sub-types, namanari and chunari, have human origins. These sub-types are thought to be the spirits of women who met unjust and untimely deaths. Their transformation into demons is driven by the intense injustice they experienced and their unfulfilled desires for revenge. Consequently, these Hannya can show emotions like sorrow and remorse.

In contrast, the honnari type possesses an inherently demonic nature, typically devoid of any redeeming qualities. This makes them more dangerous and less likely to express any form of regret or grief. This distinction in sub-types adds layers of thematic depth to the portrayal of Hannya in noh theater.

Jahi

Jahi, a prominent figure in Zoroastrianism, is known for embodying lasciviousness and holding the notorious epithet “the whore.” Despite her unsavory reputation, she wields formidable power, capable of killing men with just a glance. As the consort of Ahriman, the Zoroastrian god of evil, she plays a pivotal role in the religion’s mythos.

A story recounts that Ormuzd, the god of good, once rendered Ahriman dormant for 3,000 years. However, Jahi awakened Ahriman by sexually arousing him. In return, Ahriman gifted her menstruation, commanding her to spread it to human women, thus defiling them. This act further cemented her fearsome reputation.

Jorogumo

The jorogumo is a spider-like yokai from Japanese folklore known for its shape-shifting abilities. These demons can transform into beautiful women, using their appearance to entice and deceive men. When their victims are unsuspecting, the jorogumo kills and devours them. They often command smaller spider demons, which cannot change shape but have the ability to breathe fire.

There are various tales about the jorogumo. In some stories, Buddhist monks can break the spell of the jorogumo’s seduction. Despite this, victims often remain enthralled by their beauty. One tale tells of a man freed from a jorogumo who later seeks a mountain god’s blessing to marry her. When the god denies his request, the man relentlessly pursues the jorogumo and vanishes without a trace.

For more about the jorogumo, visit this article.

Lamashtu

Lamashtu, a demon from Mesopotamian mythology, was considered the most malevolent of her kind by the Sumerians. They invoked other demons, such as Pazuzu, to guard against her. Interestingly, while she was the daughter of the sky god Anu, her mother’s identity remains unclear.

Lamashtu’s wickedness was notorious for targeting women in labor, aiming to kill either the mother, the child, or both. Her malevolence extended to kidnapping babies from their mothers as they breastfed, taking them into the wilderness, where she would drink their blood and tear out their bones to suck out the marrow.

Her evil reputation and female gender have led some scholars to propose that she may have been an inspiration for the Jewish demon Lilith. Lamashtu’s particularly vicious and cruel behavior set her apart even among other demons, making her a unique figure in Mesopotamian lore. For more information, visit the entry on Lamashtu.

Lamia

Lamia, a figure in Greek mythology, began her life as a stunningly beautiful queen of Libya. Her allure captured the heart of Zeus, leading to a clandestine relationship. Hera, Zeus’s wife, reacted furiously upon discovering their affair. In her wrath, Hera kidnapped and murdered all of Lamia’s children sired by Zeus.

Driven to madness by her immense loss, Lamia transformed into a creature that hunted and consumed the flesh of children. Her transformation included gaining a serpentine body, enhancing her fearsome nature. Not content with this suffering, Hera inflicted additional torment on Lamia by cursing her with insomnia. Lamia’s eyes were also removed, ensuring she constantly envisioned her lost children’s faces. Eventually, Zeus took pity on Lamia, bestowing upon her new eyes and the ability to foresee the future.

Characteristics

• Origin: Queen of Libya
• Transformation: Serpentine monster
• Powers: Future sight
• Curses: Insomnia, loss of her children, removal of her eyes

Leviathan

Leviathan is a legendary sea serpent cited in various biblical texts. While her gender is a subject of debate among scholars, medieval folklore often presents Leviathan as female to distinguish her from Behemoth, another biblical demon. The Leviathan is referenced in multiple canonical texts such as Psalms and the Books of Amos, Isaiah, and Job. Additionally, she is mentioned in apocryphal texts like the Books of Enoch and Jonah.

Regardless of gender, Leviathan symbolizes chaos. Some scholars believe this association suggests a common origin with the Mesopotamian deity Tiamat. Moreover, various traditions claim that at the end of days, Leviathan will consume the souls of the damned. In Christian theology, Leviathan is also linked to the capital sin of envy.

Leviathan’s depiction varies, but she is consistently portrayed as a figure of immense power and malevolence, contributing to the rich tapestry of demonology in Judeo-Christian tradition.

Lilith

Lilith, a prominent figure in Judeo-Christian theology and Jewish mythology, is renowned as an archetypal female demon. While Christian theology often views her story as apocryphal, it is rooted in various ancient texts. In the myth, Lilith was the first woman created by God, formed from the same earth as Adam. Unlike Eve, who was created from one of Adam’s bones, Lilith was made equally and refused to submit to Adam. This defiance led to her banishment from the Garden of Eden.

Feminist scholars highlight Lilith’s story as a symbol of resistance against patriarchal structures within traditional religion. As the myth unfolds, Lilith is said to have mated with demons after her banishment, transforming into a demon herself. Her offspring, known as lilim or succubi, are believed to seduce men, perpetuating a cycle of demon progeny. This complex narrative underscores themes of autonomy, rebellion, and the supernatural within the mythology surrounding Lilith.

For further detailed mythological background, visit Lilith’s Wikipedia page and the insights on her transformations are additionally discussed on Ancient Origins. These resources provide a comprehensive view of her evolving mythos across different cultures and eras.

Mahishi

Mahishi, a demoness from Hindu mythology, is known for her fierce resolve and familial loyalty. Her brother, Mahishasura, a shape-shifting demon, nearly conquered the gods until Parvati outwitted and killed him. Vowing revenge, Mahishi sought the favor of the creator god, Brahma, who granted her near invincibility.

Although Brahma bestowed this gift, he included a crucial caveat: Mahishi could only be defeated by a child born from the union of Shiva and Vishnu. Considering this an impossible scenario due to their male nature, Mahishi disregarded the condition. Empowered by her perceived invulnerability, she succeeded where her brother failed, defeating the gods and seizing Indra’s throne.

Unbeknownst to Mahishi, Shiva had a son named Ayyappan with Vishnu’s female avatar, Mohini. The gods sought Ayyappan’s aid to reclaim their realm. Ayyappan ascended to heaven, faced Mahishi, and ultimately fulfilled his destiny by casting her from the skies, resulting in her fatal descent.

Megaera

Megaera, one of the Three Furies in Greek mythology, was known for delivering divine vengeance upon mortals who had wronged the gods. Unlike her sisters, Megaera’s origins vary among sources. Some accounts claim she emerged from the Earth when Cronus spilled his father Uranus’ blood. Other sources describe her as the daughter of Nyx, the goddess of night, and Acheron, the river separating Earth from the Underworld.

Her name, which means “the jealous one” in Ancient Greek, has led to her association with envy. This connection is reflected in various languages, where words derived from her name, like the French megere and the Portuguese and Italian megera, refer to a spiteful woman. Megaera’s presence in mythology emphasizes the consequences of jealousy and betrayal.

Mormo

Mormo, a lesser-known figure from Greek folklore, serves as a female counterpart to the boogeyman. Scholarly records reveal her presence in only one classical source—a letter from Scholios to Aristides, an early Athenian leader. This document portrays Mormo as a woman from Corinth who devoured her own children and subsequently transformed into a monstrous entity. She supposedly used wings to flee from punishment.

Greek playwright Aristophanes also referenced Mormo in a lighthearted manner, illustrating her role as a tool for mothers to discipline misbehaving children. Beyond ancient Greece, the Eastern Roman Empire texts likened Mormo to Lamia. Princess Anna Komnene wrote about Mormo as a demon targeting infants around the era of the First Crusade. Mormo’s image has thus evolved, spanning from Greek comedy to Byzantine demonology.

Naamah

Naamah, rooted in Talmudic-midrashic literature, is identified as the sister of Tubal-cain, a figure from the pre-Flood period. Known for her musical prowess, she was a seductress who managed to enchant the fallen angel Shamdon, resulting in the birth of the demonic prince Ashmodai.

In the mystical teachings of the Zohar, her character transforms significantly. No longer a mere mortal, Naamah is depicted as a fallen angel herself. Engaging in repeated seductions of Adam, she gave birth to numerous demonic offspring. Her seductive abilities extend further as she collaborates with Lilith to lure angels like Azazel and Ouza into disgrace. This portrayal places her alongside significant mythological figures within Jewish mysticism.

Nure-onna

Nure-onna, known in Japanese folklore, is depicted as a giant serpent with the head of a woman. This fearsome creature is said to inhabit the sea, preying on unsuspecting people she encounters. Despite her presence in the artistic works of the Tokugawa Shogunate, Japanese literature offers scant details about her.

One notable tale from 1819 recounts a group of sailors who stumbled upon the Nure-onna washing her hair while lost at sea. They managed to escape undetected and, upon reaching land, warned others about the lurking danger. Sadly, these warnings were not heeded, leading to the disappearance of subsequent sailors.

Onibaba

A common figure in Japanese folklore, the onibaba represents women who experience a tragic transformation after death. This transformation is believed to stem from intense resentment. Among the widely known legends includes that of Momiji, who plotted against her lover’s wife and was exiled. After her exile, she led a band of thieves, compelling Emperor Reizei to send Taira no Kuremochi, a hero, to defeat her. Kuremochi required a divine sword to accomplish this. Another famous tale involves Suzuka Gozen, who fought against Sakanoue no Tamuramaro. Both stories highlight the onibaba’s feared presence in Japanese mythology.

Onoskelis

Onoskelis is a demon featured in the apocryphal text known as the Testament of Solomon. She is described as having the upper body of a beautiful woman, while her lower body possesses the legs of a donkey. During her encounter with King Solomon of Israel, Onoskelis admitted to seducing men into worshiping her. These men worshipped her primarily in the hopes of receiving rewards, which she rarely provided.

King Solomon further interrogated Onoskelis about her origins. She disclosed that she was created by a mysterious, echoing voice from what she described as a “black heaven,” yet she lacked further details about her creation. Despite her demonic nature, Solomon tasked Onoskelis with spinning ropes for the Temple in Jerusalem.

Onoskelis is said to roam the Earth during the night of a full moon. When not wandering, she hides in her cave, living a life similar to that of a recluse. This depiction highlights her mystical and elusive character, which adds to her intriguing nature in the Testament of Solomon.

Poludnitsa

Poludnitsa, often called Lady Midday, is a figure from Slavic mythology, described as a noon demon. Her appearance is that of a young woman dressed in white, wandering the countryside during midday. She is known for engaging people in conversation, asking them questions or riddles. Incorrect responses or rude behavior could result in dire consequences such as beheading or various ailments like sunstroke, neck pain, or even madness.

Poludnitsa also has a distinctive ritual involving young girls, where she challenges them to a dancing competition. Typically, she emerges victorious, forcing her opponent to dance until sunset. Interestingly, if she loses, she displays a rare grace, rewarding the winner with treasures. This complex behavior adds layers to her character, making her both feared and respected in Slavic folklore. Lady Midday’s interactions often serve as a reminder of the harsh and unpredictable elements of nature.

Tisiphone

Tisiphone is the last of the three Furies responsible for enacting divine vengeance on mortals. In The Aeneid, she is depicted as a sentinel of Tartarus, the primordial abyss that imprisons the Titans. Notably, in the Roman play Thebaid, Tisiphone acts on the behest of Oedipus, a mortal, by ensuring the continuation of the civil war between his sons, Eteocles and Polynices. She later drives the warrior Tydeus into a state of madness, prompting him to resort to cannibalism.

Beyond Greco-Roman texts, Tisiphone features in Geoffrey Chaucer’s Troilus and Criseyde, where she aids in conveying the narrative’s tragic tone. In Dante’s Inferno, she, alongside her sisters, poses a threat by nearly summoning the Gorgon Medusa upon Virgil and Dante. Tisiphone’s presence across various literary works highlights her enduring role as an enforcer of torment and chaos.

Yama-uba

Yama-uba (山姥) are mysterious mountain demons from Japanese mythology. They often have varying appearances and roles in different legends. In some stories, they seduce travelers and merchants, only to devour them. Others depict them as midwives, aiding women in labor but then kidnapping the newborns.

A more positive portrayal of Yama-uba appears in the tale of the folk hero Kintarou. Fleeing a civil war, Kintarou and his mother took refuge in the mountains. After his mother’s death, a Yama-uba discovered Kintarou and raised him. Some versions suggest that Kintarou’s mother was a Yama-uba herself.

Numerous ancient families in Aichi Prefecture attribute their successes to the protection of Yama-uba. In gratitude, they built shrines and temples, venerating them as guardian deities.

Yama-uba embody both malevolent and benevolent aspects, making them complex figures in Japanese folklore. They are not merely villains or heroes but are dynamic beings with diverse stories and influences.

FAQs

What are some powerful names for female demons?

Several names stand out for their power and presence. For example, Abezethibou is known as one of the seven princes of Hell. Another formidable name is Abyzou, a demon linked with miscarriages and infant mortality. Agrat bat Mahlat and Alecto are also potent names, associated with seduction and unrelenting anger, respectively.

Can you list some unique names for female demons?

Unique names often originate from various mythologies. Aclahayr, for instance, is the angel of prostitution. Mormo is a unique and somewhat obscure demon from Greek folklore, known for her fearsome attributes. Blake, Jett, and Delaney are modern names that incorporate the theme of darkness.

What are the meanings behind popular female demon names?

Abyzou signifies a demon blamed for miscarriages. Agrat bat Mahlat translates to a demoness associated with seduction and sensuality. Kali, from Hindu lore, means “the black one” and represents destruction and regeneration. The meanings often reflect the roles or characteristics attributed to these entities.

Who are the top 10 most notorious female demons in mythology?

1. Abezethibou – One of the 7 Princes of Hell
2. Abyzou – Associated with miscarriages
3. Agrat bat Mahlat – Demoness of seduction
4. Alecto – One of the three Furies
5. Mormo – Demon from Greek folklore
6. Lilith – Associated with night and seduction
7. Medusa – Famous for her petrifying gaze
8. Hecate – Goddess with chthonic elements
9. Lamia – Known for devouring children
10. Nure-onna – Japanese folklore snake woman

Which female demons are considered the most evil or malevolent?

Abyzou is often cited as particularly malevolent due to her link with miscarriages and infant deaths. Agrat bat Mahlat, known for her seduction power, wields significant malevolence. Lilith, as a figure resisting submission and social norms, also embodies profound evil in some traditions.

Are there any well-known female demon names from Japanese folklore?

Yes, Nure-onna is a notable demon from Japanese folklore. She is a snake woman often depicted as a fearsome figure. Another example is Yuki-onna, a spirit associated with snow, known for her icy demeanor and beauty.